Leonard Cohen's Reading List

"The Bible was not forced on me, I received it like honey, and I found all the stories equally beautiful, from the Creation to the Apocalypse."

"The whole range of arguments in that book is quite radical and complex and beautiful. It’s the first book I’ve read by an author, masculine or feminine, that has a defiance of the situation, which is deeply subversive in the holy sense – it’s other-worldly. She says that this world is stained by human misconception, that men and women have wrong ideas – even if they are ten million years old and come from the mouth of god, they are still wrong! The position in that book is so defiant and pass..."

"When I was at school there was a book that was very popular called Seven Types of Ambiguity. One of the things it criticized was something called ‘The Author’s Intention.’ You’ve got to discard the author’s intention. It doesn’t matter what the author’s intention in the piece is, or what his interpretation of the piece is, or what his evaluation or estimation of the piece is. It exists independently of his opinions about it."

"This punk of a monk, who should be tending to his own affairs, has decided to infect the real world with his tall tales, and worse, to let the cat out of the bag. And what a sly, dangerous, beautiful, foul-smelling, heart-warming beast it is."

"That paragraph. It’s not the work of an author, but maybe five lines. It’s those five lines that will get me reluctantly to explore the rest of the guy’s work. But that paragraph I’ve never forgotten. There’s that paragraph ‘Snow was general all over Ireland.’ It described the snow. It’s Montreal. It’s our snow, our black iron gates in Montreal. It was perfect."

"One of the finest writers in language."

"I was fifteen when I began to read Federico Garcia Lorca. His poems perhaps have had the greatest influence on my texts. He summoned up a world where I felt at home. His images were sensual and mysterious: ‘throw a fist full of ants to the sun.’ I wanted to be able to write something like that as well. A few years ago I wrote a musical adaptation of Lorca’s ‘Little Viennese Waltz.’ Then I noticed what a complex writer he was: it took me more than a hundred hours just to translate the poem. Lo..."

"I loved that book very much, as a wonderful escapist idea. I think you’re kind of stuck with who you are and that’s what you’re dealing with. That’s the hand that you’ve been dealt. To escape from the burden of decision is a delightful notion…but nothing more."

"This workbook may not solve the Burning Issues of Your Life, but you sure as hell can save yourself a lot of trouble by looking into it…She has made some important matters wonderfully clear, and every page is informed by a sweet concern for the well-being of her reader."

"T here was a poet named Humbert Wolfe that nobody had ever heard of — his books I discovered in a second-hand bookstore — that I loved through the years."