Davina Jackson's Reading List

"Meanwhile, I was learning a lot from very advanced architects like the Dean of Architecture and Planning at MIT, an Australian named William J. Mitchell; Bill to his friends and students. His 1990s books City of Bits, E-Topia and Me++ inspired me greatly. Not just because his work was so informative about the cutting edge of architectural research – which MIT is famous for – but also because he had an incredibly luminous way of writing. His prose really carries you forward, and you can’t help getting engaged with the content just because of his stylish wordplay. I came to know Bill quite well, along with other leading protagonists in America and in Britain. At that time, I just would lap up anything they had to say about the future of computer-aided design. But when I left Architecture Australia in 2000, I decided to look at the future of urban development rather than just architecture because I felt that progressive architects were ahead of technology, but cities offered the real potential for dynamic, networked applications. These applications seemed to be super-effective but invisible: the new information architecture was not about sculpting awesome forms in the traditional concept of architecture. But there was a real gulf between the theory and the practice and the disciplines of architecture and planning. Most planners I knew in Australia seemed not even hostile about post-internet technology potentials, just wilfully ignorant. Gradually I learned that just as the future for architecture was to model the building virtually on the computer before you actually went on site, making your mistakes and improvements in the model, so computer modelling would need to be applied to planning and designing cities of the future. In the years around Y2K, the term ‘smart cities’ was not yet in currency. Bill Mitchell didn’t invent the term, but he popularised it in the early 2000s, when American designer Will Wright also released Sim City the computer game. In the mid-to-late 2000s, several global corporations – Cisco, IBM, Siemens and the engineering firm Arup – began to exploit the term ‘smart city’ in order to win massive government contracts for installing broadband cables and new telecoms equipment at suburban to metropolitan scales. They went ruthlessly after a global market worth many trillions. But just installing cables didn’t seem to me to be inherently ‘smart’. It seemed that this was just the first step to enable actors in cities to access what Bill Mitchell called ‘bits’ of information. As a journalist I understood the notion of gathering ‘facts’. But computer scientists were using the word ‘data’, which seemed to have the potential to become most prevalent. Later I discovered an organisation called the International Society for Digital Earth that was essentially a neo-Buckminster Fuller organisation, based at the Chinese Academy of Sciences, but including remote sensing and geospatial science leaders in Europe, Russia, Japan and even North Korea. This society was determined to promote the idea – from Bucky via Al Gore’s 1992 term ‘Digital Earth’ – that we needed to use sensors and scanners aboard satellites to help monitor and model all the world’s environmental systems. This was not just SimCity but SimPlanet! Where early Mediterranean cartographers had talked about mapping the world by land and sea exploration, Bucky was the first to imagine mapping the world by observing its behaviours from space; we include in Data Cities his famous 1927 drawing and quote his 1970s and early 80s ideas of using electronics to help auto-pilot what he called ‘Spaceship Earth’. Al Gore updated his Digital Earth theme during his presidential campaign in the late 1990s. “I would go further and say that it is as important as the invention of the steam engine and is transforming the world to a similar degree. Satellite technology and the data it mediates is literally at that scale of innovation.” Since the late noughties, I’ve been promoting to many Digital Earth science boffins the idea of ‘data cities’ being a crucial subset of their goal to observe and visually simulate the world. But I’ve also tried to persuade urbanists – not always successfully – that they have to understand how global Earth observations methods are fundamental to understanding cities and the ways we inhabit them today. This is where satellite-mediated data comes in. While meteorological satellites have been around for decades – clarifying tomorrow’s weather on tonight’s TV news – telecommunications satellites are now essential for all our networked devices – ranging from smartphones to drones. Now we have satellites equipped for different types of Earth observation: receiving and beaming all the waves of the electromagnetic spectrum to detect surface temperatures, vegetation states, soil types, and the locations, heights and sizes of landforms, buildings, structures and vehicles. We’ve got scanners filming and sensors pulsing from squillions of aerial, nautical and terrestrial vehicles and fixed structures. All the data they capture flows through satellites in orbit. This is how our world is being surveyed today – and throughout history, architects and planners have always relied on survey data as the basis for designing every new development. From this major revolution in the history of surveying must come an equally major revolution in the history of urban design. I would go further and say that it is as important as the invention of the steam engine and is transforming the world to a similar degree. Satellite technology and the data it mediates are literally at that scale of innovation. I wrote that article on request by Virginia McLeod, an Australian architect who is the architecture editor for Phaidon. In the early 2000s, she was looking for a writer to represent the southern hemisphere among a group of prominent critics for a new edition of their popular 10 x 10 tome surveying 100 contemporary architects. I had studied a lot of architectural theory for my masters thesis titled @home: Another Revolution in Architecture’s Theory of the House and I’d got an idea that in the internet age, it would be essential for Australian architects to revise their commitment to Kenneth Frampton’s then-pervasive theory of ‘critical regionalism’. Instead of designing buildings as isolated objects related only to the conditions of their site, they needed to understand that occupants of buildings now would be constantly connected around the world. “My instinct was that after the internet, you simply could not try to resist globalism. Wherever you are based, as an architect or urban planner, you are going to be ‘infected’ by ideas, events and trends. Post-internet culture would be virally transmitted.” I felt that the internet was going to transform the theory of architecture. The term viral internationalism came spontaneously, and seemed like a logical antidote to Ken Frampton’s famous theory. Ken is a lovely human and great scholar. He was often invited to Australia by his friends and former students to speak on critical regionalism and its importance for Australian architects. But as I said in my Phaidon essay, his idea seemed fairly Marxist: a call to critically resist the relentless pressures of the global media and capitalism. It seemed that his message to architects, in practical terms, was to avoid mindlessly copying foreign ideas and to instead represent your particular place of building. You could refer to foreign magazines and other influences, but you would have to consciously decide what you believed it was appropriate to emulate. My instinct was that after the internet, you simply could not try to resist globalism. Wherever you are based, as an architect or urban planner, you are going to be ‘infected’ by ideas, events and trends. Post-internet culture would be virally transmitted. I met Richard Florida and attended a number of his lectures in Australia. At the time that The Rise of the Creative Class came out, it seemed that he, like me, was very influenced by what was happening with some of the first 3D mapping and modelling of cities, looking at data relating to cities beyond population-density spikes. Cities came to be depicted visually as mountains based on population data for particular places on the map of the city. It was an approach that became very popular in architectural circles, and particularly via Ricky Burdett, Professor of Urban Studies at the London School of Economics. He exhibited at the Venice Architecture Biennale some wonderful urban ‘mountain’ sculptures that had been 3D-printed from BIM data files. A team of academics in Tokyo did a wonderful video that’s online called PopulouSCAPE: A night flight around an urbanising world , showing UN population data for different cities as soaring up to the sky. Manuel Gausa, a Portuguese architect living in NY, was another pioneer of post-internet data visualisation."

"It’s a thumping tome with a sexy, tactile, red vinyl cover. When I first came across it, I was flabbergasted by its exciting content. At a time when I was straining my brain to understand vastly diverse angles about the future of urbanism, this dictionary came to my aid. As a writer I found it especially valuable to clarify the origins and meanings of many words that were emerging in progressive discussions and publications, but which were novel to me. Here are some sample words from the dictionary that I wanted to understand: anarchitecture; impermanences; a-couplings; ad-herence and ecomonumentality. Although the authors are Catalan architects, the English translation was exemplary. Although these words are not viable in writing for a broad audience, it was exciting to read the concepts, and for a while this book was my bible. “Really cities are as much about flows – of information and behaviours, and about intangible ‘stuff’, not only tangible ‘things’.” The authors of Metapolis were the founders of one of the world’s most innovative architecture schools, The Institute for Advanced Architecture of Catalonia. They lead the continuation of Barcelona as one of the world’s most fertile cities for progressive applications of urban theory. They aligned with a publisher in Barcelona called Ramon Prat who runs a company called ACTAR. Jointly, they produced an extraordinary series of ‘boogazines’, that were rich in theoretical articles, student design concepts and urban research case studies. Zaha Hadid was in partnership with Patrik Schumacher , perhaps the world’s most prominent exponent of parametric architecture. This was a term that he promoted as a context for computer-literate architects to debate how you would structure a building information model. The parametricists, including a group called smartGeometry, spearheaded the BIM revolution in architecture. However, I felt that they were caught in thinking about the model of the building and were not really considering how their real buildings would function as nodes in networked cities. To me, parametric architecture seemed (then) to be mainly about designing stocks of fluid-looking yet static structures. Really cities are as much about flows – of information and behaviours, and about intangible ‘stuff’, not only tangible ‘things’."

"This is the masterwork written by the world’s greatest 20th century scholar and historian of cities. Peter Hall was a professor working mainly at University College London, but he travelled widely to learn and lecture on how cities developed and operated. This book details how cities of the past were innovative for their day, and how technology changed them. If anyone wants to understand cities of the future, our topic here, it’s critical to understand what future cities from the past can teach us. The ‘City of the Future’ is an evolving concept that’s predicated on evidence-based design and planning and a policy and regulation methodology that depends increasingly on data visualisation. Look at how everyone has become fascinated by the colourful and often dynamic graphs of statistics revealing the local and global progress of the coronavirus pandemic. Without those data visualisations showing the need to ‘flatten the curve’, governments simply couldn’t have persuaded so many of their citizens to stay at home. “The ‘City of the Future’ is an evolving concept that’s predicated on evidence-based design and planning and a policy and regulation methodology that depends increasingly on data visualisation.” Today’s cities leading the data revolution seem to include Barcelona and London; and American centres of innovation like San Francisco, Silicon Valley and Cambridge, Massachusetts. In Asia there are Tokyo, Singapore and Seoul. And in the Middle East, there have been considerable advances made in Dubai, but usually by imported architects, and now its seems Saudi wants to be the next heroic node of imported architecture. European geodata research is underpinned by Switzerland’s ETH university system and CERN; the European Space Agency and joint research centres in Italy, and various spatial surveying and planning research centres in the Netherlands, Germany and Scandinavia. City of Bits is the book that really kicked off my inquiries towards data cities, way back in 1995. It was one of the most important of a group of publications that showed the internet was going to rock our world. Bill Gates wrote one, and another notable book was the seminal Being Digital by Nicholas Negroponte, another professor at MIT Media Lab. I chose Mitchell’s book for its greater focus on the urban, and because it is beautifully written. The critical thing about City of Bits is its structure of subheads that reveal many dichotomies between the old world and the post-internet world. Some examples are ‘synchronicity versus asynchronicity’, ‘narrowband vs broadband’, ‘contiguous vs connected’, ‘human muscles vs robotic actuators’, ‘human brains vs artificial intelligence’ and ‘economics 101 vs economics 0 and 1’. In doing so, Bill literally reversed the meanings of many accepted situations, and thereby showed that ‘infobahn’ technology was a truly transformational episode in architectural history. And pretty much everything he wrote before the turn of this century has turned out to be correct."

"Another favourite book by MIT professors is The City of Tomorrow by Carlo Ratti and Matthew Claudel. Carlo was a student of Bill’s at MIT: They set up the Smart Cities Lab together and worked on a project called the City Car, a technologically advanced vehicle that could be parked in a tight chain, like supermarket trolleys, and could be rented, like today’s car-sharing services. After Mitchell died in the early 2000s, Carlo carried on pioneering sensor-enabled urban research experiments as head of what he called the SENSEable City Lab. I discovered his genius at the Venice Architecture Biennale in 2006, where the Italian pavilion was filled with big, transparent screens showing dynamic maps of pedestrians and buses moving around ‘Real-Time Rome’. These floating, frameless, holographic screens were a gob-smacking sight in Venice – years before we saw them in Avatar – and still are fantastic visualisations of data from smartphones. Carlo’s videos culminated with these amazing crescendos representing crowds at the stadium, sending messages on their phones at the height of a soccer match or a Madonna concert. Carlo’s Real-Time Rome exhibit really galvanised my focus on researching and promoting data cities. I later organized for Carlo to come to a Metropolis (major city governments) conference in Sydney, where he gave an impromptu speech at the launch of a networking project that I had catalysed called D_City. This idea evolved into a report called D_City: Digital Earth | Virtual Nations | Data Cities that was sponsored by the Group on Earth Observations in Geneva in 2013. Get the weekly Five Books newsletter Carlo is a great inventor and many other things but seems not a great writer, which I guess is why he collaborates on books with Matthew Claudel, the head of Civic Innovation at MIT. In The City of Tomorrow , they present some profound advances achieved in the first 10 years of what I call the data city movement. Carlo coined the term SENSEable City – alluding to human and artificial sensing. He suggests we don’t start with technology, that we start with the human needs, experiences and desires, and then use sensor devices to help deliver solutions. One of his latest projects is fitting sensors in city sewers to detect traces of drugs and other substances in human effluence. Government agencies can use the sensor data to detect where there is alarming use of prohibited substances or other indicators of health problems – including warning signs of a pandemic. The book includes some fascinating case studies. One thing about Carlo is that while he’s one of the world’s most advanced engineers and data scientists, he also comes from Italy’s strong humanistic tradition. He seems to imagine what humans need long before many people – and governments – are thinking about them. His experiments are always very civic-minded."

"The author Nicholas de Monchaux is the son of Jean-Pierre (known widely as John) de Monchaux, the dean of architecture and planning at MIT before Bill Mitchell. The younger de Monchaux is also something of a prodigy, and while he’s certainly benefited from his upbringing in a prominent architecture family, he is a formidable planning theorist and now the professor of architecture and urbanism at Berkeley. This book is impressively illustrated with many speculative urban design projects by his students. These are visually stimulating and glamorous. However the book’s best content in my view is three key essays by Nicholas which give unprecedented biographical histories of Gordon Matta-Clark, Jane Jacobs and a data cities pioneer from Harvard’s Graduate School of Design, named Howard Fisher . At Harvard, Fisher developed a data-mapping system called SYMAP which relied on typing Os and Xs to visualise geographical terrain. This system was revolutionary in its day – too far ahead of its time. But Nicholas now has clarified how that system emerged from Harvard via one of Fisher’s graduate students, Jack Dangermond, to become ubiquitous in today’s environmental mapping industry. Dangermond organised to take Fisher’s SYMAP methods out of Harvard and into his own entity called the Environmental Science and Research Institute, ESRI. Under Dangermond, Esri has grown into a global multi-billion dollar software company, the world’s leading GIS (geographic information systems) provider. Today, anyone in urban planning who needs to map anything – including for example the spread of the coronavirus epidemic – needs to use Esri maps and often its data to produce their visualisations. It’s more or less a global monopoly that originated with Howard Fisher. He made not a penny from his invention – but that’s how sometimes these things happen. Support Five Books Five Books interviews are expensive to produce. If you're enjoying this interview, please support us by donating a small amount . Esri as a private company is now encouraging universities around the world to develop ‘geodesign’ programs that are dependent on using Esri tools. Geodesign is data-mapping, but it extends well beyond cities to include natural regions, resources and realms like forests and lakes, and even to the scale of the whole ‘Digital Earth’. Initiatives like these will need to focus on data mapping to understand how 21st century cities actually work. This is integral to the vision of the Digital Earth movement now. Anyone with a serious scientific interest could refer to our ‘Digital City’ chapter in the new Springer open-access science anthology, Manual of Digital Earth . The Digital Earth movement really coalesced around Bucky’s 1928 diagram of the world, a fabulous image of the Earth pulsating with electronic waves. It presages a digital understanding of the world well before the first electronic computer was even a notion, well before the Enigma coding machine. We are all on Spaceship Earth together, needing incredibly powerful new tools and systems to help pilot our planet more safely."