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Wagnerism

by Alex Ross

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Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact.…

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"This book is emphatically not a biography of one of music’s most notable – and notorious – figures. Rather, it’s a sweeping and often surprising history of just how pivotal composer Richard Wagner’s work has been across many realms, including the visual arts, literature and politics. (Among Wagner’s ardent fans: W.E.B Du Bois, Willa Cather, Luis Buñuel, Philip K. Dick, Theodor Herzl and, infamously, Hitler.) Even if you feel no particular affinity for Wagner’s music or for opera more generally, Ross will draw you into a world of modernism that he persuasively argues was actively shaped by Wagner and those influenced by his music, ideas and aesthetics."
NPR Books We Love — 2020 · apps.npr.org
"I loved Alex Ross's "Wagnerism.""
By the Book: David Remnick · nytimes.com