Red Comet: The Short Life and Blazing Art of Sylvia Plath

"Personally, I share your enthusiasm about all matters Plath. As a critic, let me say that Clark not only unearths new evidence about Plath’s life but also brings a fresh, subtle and nuanced critical perspective to her work. Plath is mythologised and pathologised; she has come to be seen as an icon or a victim, a “high priestess of poetry, obsessed with death,” as Clark writes. What Clark does here is recover Sylvia Plath as an aesthetically accomplished, important poet. Clark discovered letters Plath sent to her psychiatrist, delved into the Plath family history (including her father’s FBI file and grandmother’s institutionalization), found a portion of Plath’s last novel, and used her unpublished diaries and creative work as well as police, hospital and court records. She also drew from an archive that opened in 2020 which contained scores of interviews with Plath’s contemporaries in the 1970s for an uncompleted biography. From the start, Clark is clear in her intention to reposition Plath as one of the most important American writers of the 20th century. I was skeptical initially, because the biography weighs in at 1118 pages. Well, 937 pages without notes. But after the prologue, I was hooked. Clark nestles details so deftly in flowing narrative prose and successfully positions Plath in the era. It’s literally a heavy book, but Clark writes with a light touch, evoking Plath’s psychological and poetic landscape as well as her social milieu. Well known now as the wife of Ted Hughes, Plath emerges so clearly in her other relationships. Clark vivifies Plath not only as a mother, but also a daughter who was just eight years old when her father died, leaving her to be raised by her single mother. Plath grew up at a harrowing and difficult time for German immigrants in America, during and before the Second World War . Plath’s father Otto was repeatedly investigated and eventually detained by the FBI but, as Clark shows, he renounced his German citizenship in 1926 and watched Hitler’s rise with trepidation. ‘Daddy’ runs through the biography and Clark tracks interpretations and it’s almost as if those reveal more about the perceiver than the poem. For some, ‘Daddy’ is a rallying cry for feminists, others believe it reflects Plath’s youth and others damn it for appropriating the Holocaust . Clark makes clear that Plath’s father was a committed pacifist. In addition to his German heritage, Clark suggests that as a professor and scientist, he embodied patriarchal authority and a kind of imperial aggression just as resentment of her husband was boiling. There’s also an argument that the poem is based on an entirely different person, her friend’s father who abandoned his family to join the fascist Blackshirts. Clark reveals Plath wrestling with ‘Daddy’ in successive drafts, with one reading like an elegy, and others more resilient and forgiving. The poem’s placement in Ariel , published posthumously and out of her control, possibly shifted its meaning. I could talk about ‘Daddy’ all day but would much rather read about it in Clark’s biography! Clark argues that Plath’s aesthetic impulse was more surrealist than confessional and that ‘Daddy’ illustrated that Plath had her finger on the pulse of contemporary poetry. As a reader, I could hear Plath’s mother preaching: “excel, but conform.” While Sylvia Plath is known for her death, Clark shows how hard she worked, how many poems she sent out before she found success. Clark reads Plath’s juvenile short stories and poetry really seriously, and asks questions: how did she get to be who she was? Clark recognizes Plath’s incredible ambition and dedication to her work. Yes. Clark makes a powerful argument for it through her analysis of Plath’s poetry. The Sylvia Plath that emerges as a poet from these pages is stronger and more sophisticated than she has been credited. Yes, Plath took her own life, and is synonymous with madness and tragedy, but Clark has shattered the mythology and placed Sylvia Plath in the canon as one of the most important writers of the century."