Our Lady of the Flowers

"Genet was put up for adoption by his mother. He became a child of public welfare. He was taken in by a family who lived in the heart of France, a rather backward area. His [foster] parents were paid a monthly stipend by the state to look after him. As long as his foster mother was alive he got along very well with everybody. But then when she died he kind of went crazy. He was accused of lots of little crimes, of stealing things. But basically he was just filching things, he wasn’t really stealing anything important – erasers and marbles and things like that. He was very, very bright and he was probably the brightest student in the whole département . Because of his intelligence he wasn’t put out to work at age 13 as a farm worker, the way most foster children were. He was sent to a trade school to learn printing, which was considered a great honour. But he ran away from that school almost immediately and began a life of petty crime. He was arrested many times for things like stealing a signature of a French king at an autograph store or fabric from a department store or doctoring his train ticket so that it looked as if he was eligible for a longer train ride than he’d paid for. “What has always puzzled Americans about British gay writing is that middle and upper class people always fall in love with working-class people.” France was very backward in a sense. It was really part of the 19th century until World War II. So just as boys in Dickens are punished terribly for very minor crimes, in the same way Genet, who never committed any big crimes, was punished very severely. He even risked being given a life sentence, but his case was pleaded by [Jean] Cocteau who said that Genet was like Rimbaud and you don’t put Rimbaud in prison. And the judge, being French, was convinced by this argument and released him. Then he went into terrible decline because he had always written in prison with the threat of a life sentence over his head and now he was free as a bird and found it hard to write. He became extremely depressed. What he finally did was to change entirely and write for the theatre. He did write most of Our Lady of the Flowers in prison and it was published first in 1943 during the occupation. It was published very privately in an edition of just 50 copies. The Germans were very puritanical and would have certainly persecuted not only the author but also the publisher if they had known about it. But it was printed privately and sold under the counter to rich homosexuals. But Genet wanted a larger audience and he removed quite a few of the pornographic passages from the original edition in order to make it more accessible to the general public. It’s beautifully written. It’s a sumptuous, poetic style, which is true of several of the books on my list. But he certainly was one of the greatest stylists of all time. He earned the attention of some of the leading thinkers of the day. Sartre wrote a whole book about him and so did Derrida. Many other important writers like Cocteau wrote about him and admired him. He invented in this book the drag queen for all literature who’s called Divine. She – the book calls her “she” even though she’s a man – is a prostitute and has many lovers. The most important is a pimp called Darling Daintyfoot. He brings home one night a very beautiful boy who’s called Our Lady of the Flowers, who is a murderer and who’s about to be executed. The book has several converging timeframes. For instance, Genet is always reminding us that he himself is in prison awaiting sentence. That’s one thread of the book. And then there’s another timeline, which is about the sentencing and execution of Our Lady of the Flowers . So those are different timelines that converge. But there are many characters in the book and there are a lot of sex scenes. It’s a world of the ghetto really. He places his ghetto in Montmartre. If you read it in French there’s an awful lot of thieves’ slang that’s used in the dialogue. The dialogue is very raw but the narration is very elegant and elevated. So there’s a kind of contrast between the two. The dialogue is constantly reminding you that these are criminals and part of the underclass, whereas the narration is always reminding you that you should think of this as something like a tragedy by Rossini. It’s probably what saved his life. Because he was such a good writer Cocteau discovered him and intervened on his behalf and got him freed from a life sentence. Even the president of France exonerated him. It did change his life entirely. He was somebody who had no talent, only genius. He couldn’t do anything. He didn’t have any skills. He only knew how to write the best prose of the century."