Moby-Dick

"I haven’t actually read this one, but I’ve heard such good things I thought I should mention it."

"I had to save the best for last, of course. Also, it seemed only fair to save the book that is the counter-example to the rest of the list; it doesn’t celebrate animals and it doesn’t marvel at our relationship to them. It rages madly against them, or at least against the ultimate antagonist, the dread white whale Moby Dick. All the while, it confirms the potency of our connection to animals. Whether we fear them, eat them, train them, or dream about them, they’re central to our lives."

"The greatness is in the ending, which manages to be both inevitable and surprising. And the power of the ending relies on the foreshadowing. Why does Ishmael meet a “cannibal” harpooner at the Spouter-Inn before the Pequod sets sail? Why is Queequeg from the South Seas? Why is he not a Christian but an “abominable savage”? You’ll see — when Queequeg’s coffin is all that will keep Ishmael afloat. For me, Moby-Dick is the greatest of novels."

"Melville is master of the jump cut. I fell in love with this book. The words were songs, the flow embraced the way we actually think. Backtracking, looping, jumping. But here’s a tip: if you’re thinking of making a multimedia opera from your favorite book, don’t do it! I tried it and didn’t have the nerve to rough it up. I never took off the white gloves. So obviously it didn’t work out."

"I dove into the middle of it instead of starting at the beginning. I came across a lot of beautiful poetry of the whiteness of the whale and the colors of nightmares and the great spirit’s spout…I turned back to the start: ‘Call me Ishmael,’ and I was in love!"

"Jobs told me that Moby Dick was among his favorite books and he reread it a lot when he was a teen.” -Walter Isaacson"

"Melville’s magnificent prose epic is at once a superb sea yarn and a profound critique of Yahweh, source of the unwarranted suffering of Job. I cannot think of any other American fictive prose as memorable and transfixing as that with which Melville constructs his tragic vision of Captain Ahab."

"I believe some people have already remarked on this novel. Unflaggingly brilliant and stunningly modern. Besides learning a huge amount about whales and seafaring, you can also impress your friends with the origin of the name Starbuck."

"I just finished Moby-Dick , which scared me off for a long time due to the hype of its difficulty. I found it to be a beautiful boy’s adventure story and not that difficult to read. Warning: You will learn more about whales than you have ever wished to know. On the other hand, I never wanted it to end."

"This classic instilled an interest in sailing and began my lifelong love of the sea."

"I have always felt that Melville was the writer who enacted Whitman’s decree for American multiplicity in ways far richer and complex than Whitman did himself. A book that simply refuses to compromise, that employs the autobiographical gaze to suggest radical modes of queerness, polytheism as progressive self-knowledge, expansive meditations on whiteness, both in regards to the whale’s purity and to race, Moby-Dick forges the allegory of the hunt as a doomed American quest for self-knowledge...."

"My favorite book; I’m always reading it. As soon as I finish it, I start it again. Consider this line: ‘So ignorant are most landsmen of some of the plainest and most palpable wonders of the world, that without some hints touching the plain facts, historical and otherwise, of the fishery, they might scout at Moby Dick as a monstrous fable, or still worse and more detestable, a hideous and intolerable allegory.’ To me that means the white whale is God, and Ahab is wasting his life chasing God."