A Little Devil in America: Notes In Praise Of Black Performance

"I think I can reveal that this book was considered by more than one committee at the NBCC, because—yes—it is as much cultural criticism as it is autobiography. One of the things that’s important to us is not to let books like that fall through the cracks. We might say, well, it’s not really a memoir, and they might say, well, it’s not really criticism. So we’ve made it our job to embrace those hybrid books. I mean, there was almost a little turf war over this one. Abdurraqib’s voice is so powerful and personal that even when he’s writing about Whitney Houston or Michael Jackson, it still reads as personal storytelling. It’s certainly not what we ordinarily think of as music criticism. His discussion of each entertainer is very much in terms of his culture and life story. There was one essay that the committee went crazy for: ‘It Is Safe to Say I Have Lost Many Games of Spades.’ It’s about playing cards in a van with a group of other writers traveling to an event down South. It’s about the different rules and traditions for the game in black communities all over the country. It’s also about friendship. He says that the way each of his friends plays Spades brings out the thing he most loves about each of them. That’s a lovely piece of memoir right there. Get the weekly Five Books newsletter As both a writer and reader of this genre, I’m obsessed with interesting formal constraints and decisions about language. Abdurraqib is a poet, and brings a lyricism and often a sort of incantatory style to his writing. One essay is based on a kind of poem called a ‘crown of sonnets’, where the last line of each sonnet becomes the first line of the next one. He did that with sections of an essay about Mike Tyson. That enchanted me. He also has five essays with the same title: ‘On Times I Have Forced Myself to Dance.’ And ‘Sixteen Ways of Looking at Blackface’ clearly gets its spinal column from Wallace Stevens. If you want to know what you’ll come away with from this book, it’s less that you’ll have a new way of thinking about Beyoncé or Don Shirley (though you very likely will know a lot more about Don Cornelius, the host of Soul Train, than you did before!), it’s more about the writer than the cultural subjects, which is what makes it an autobiography."