The Lion, the Witch and the Wardrobe

"You win some Turkish delight. Everyone knows Lewis’s Narnia books are a foundational work of the modern fantastic. But I don’t think Lewis gets enough credit for his craft as a writer. Those books are deceptively simple. Look at the way he constructed the opening of The Lion, the Witch and the Wardrobe . He puts the shadows of the war in the background, the excitement of a new house in the country in the foreground. Look at how he carefully sketches all the relationships between all four of the Pevensie children. And when he sends Lucy through the wardrobe (it’s on page five – he doesn’t waste time), it’s like nothing else in fiction up to that point. There are no sparkles, no wondrous rhetoric, just one precisely observed sensory detail after another: A dead bluebottle on a windowsill; some soft coats; some cold crunchy snow; some prickly pine branches – and then you’re in Narnia. People dismiss Lewis as a Christian propagandist, but that’s a mistake. He was a novelist before he was a Christian."