Islam and Democracy

"Islam and Democracy was published in 1992, following the first Gulf War, and the second edition came out in 2001, just after 9/11. So each time it was after a cataclysmic event of some sort. Mernissi is focusing on women’s claim to be citizens and how this sets off all sorts of fears among states and elites in countries like her own, Morocco, and also other Muslim majority countries, about what democracy will hold. Fatima Mernissi is a Moroccan feminist. She is a sociologist who studied at Brandeis in the US, and took her degree in the mid 1970s. And she produced one of the first books on feminism within an Arab Middle East and in a Muslim context – Beyond the Veil, which came out in 1975. This was a book in a secular voice, in parts even a secularist voice or one that takes an anti-Islamic stance. I think the distinction Moroccan cultural critic Raja Rhouni (whose book on Mernissi we shall discuss next) makes between ‘secular’ and ‘secularist’ is helpful. Mernissi was of the same generation as the Egyptian feminist writer Nawal El Saadwai, and the two of them really put second-wave feminism on the map in the Middle East. But in 1978 Mernissi published a book, which in one English edition is called The Veil and the Male Elite: A Feminist Interpretation of Women’s Rights in Islam. This was widely regarded as the first, or a pioneering book-length text of Islamic feminism, that is, using Islamic sources, the Qur’an and hadith (sayings and deeds of the Prophet Muhammad), and revisiting fiqh or Islamic jurisprudence in articulating understandings of gender equality and social justice. Rhouni calls Islam and Democracy the third in what she identifies as a trilogy of Mernissi’s books engaging with Islamic feminism. And I can see why Rhouni wishes to classify it in that way, because here Mernissi is taking up Islamic arguments for claiming full citizenship, democracy, equality and justice. She is bringing together secular and religious arguments, and among the things she gives importance to is the need to reform Muslim personal status law as part of achieving democracy, because gender inequality was embedded in the Islamic-backed personal status laws and she sees equality in the family as part of equality in society. I find it very important that she makes the link between family and society, and equality in the family as a necessary part of democracy, very explicit. Yes, and Mernissi makes the point in clear, declarative sentences that democracy requires women’s active engagement across the entire spectrum of life issues – that is, in family and society, which she sees as a continuum. In other words, if women, as citizens, are not equal in all spheres and don’t enjoy their rights, then the whole project of democracy simply doesn’t work. And equally, democracy itself is a force that pushes women to engage in activism, in order to be able to practice their rights. Women have been catapulted into reading religious texts, to fight the regressive Muslim personal laws built upon readings of Islamic jurisprudence and also to make wider claims of the convergence between women’s rights, equal rights of citizens, democracy and Islam. Actually, when Islam and Democracy came out in 1992, the move to demand reform of the Moroccan personal status laws, the Mudawana, had already begun – starting in the mid 1980s – so that is also part of the bigger context in which the book emerges. Yes. The Mudawana is the most advanced fiqh-based family law in the Muslim world. It is built on an egalitarian model of the family, which replaces the patriarchal model. In the new law the wife and husband are declared equal heads of family. Also, while it doesn’t outlaw polygamy, the law makes it procedurally virtually impossible. The revised law gives women nearly equal rights to end a marriage, but not precisely in the same manner. However the model now is an egalitarian one, and not a patriarchal one. Mernissi has been publishing books for about 35 years, and her books and writings have been widely circulated not only globally but also in Morocco, where they appear in both French and Arabic. And she has worked very collaboratively with other women, with a wide range of activists. She certainly has played a major role in influencing public thinking – for which, of course, she has also played a price. But when the political circumstances were right and there was political will from on high – and with all the important public work done by feminists in Morocco – the old patriarchal family law was turned on its head, with re-readings of Islam brought to bear. Muslim women’s secular feminisms, which first emerged in the early decades of the 20th century – and I speak now of the Middle East: the countries around the eastern end of the Mediterranean and also Iraq – were called secular because they drew upon multiple discourses, including secular nationalism, humanitarianism, and Islamic modernism and were created by Muslims together with Christian compatriots. Two points are important to remember: one is that these secular feminisms built upon and extended these discourses – they were not trapped within them, as expounded by men, as sometimes has been alleged – and two, that secular feminisms included a religious dimension. Actually, even here in the United States, with our tradition of secular feminism, religion has been present. We can recall, for example, Elizabeth Cady Stanton and the Women’s Bible in the 19th century or later, during the second wave of feminism, when Jewish and Christian women elaborated what became called liberation theology. The idea that secular feminism is ipso facto non-religious or anti-religious in Muslim societies needs to be relinquished – repeating the allegations of detractors only plays into their hands. Mernissi is hugely fascinating because she moved from using a secular feminist discourse and even in part a secularist or anti-religious discourse – explicated in her first book, Beyond the Veil – to finding in religion support for the feminist cause. Her book The Veil and the Male Elite played a huge role in putting Islamic feminism on the map. When I was in South Africa in the 90s I saw how enthusiastically Islamic activists – progressive Muslims, as they called themselves – had taken up Mernissi’s book. I also observed how ecstatic secular feminists in the West – Muslims and non-Muslims – were when Mernissi delivered a blow to misogyny draped in the clothes of religion; more specifically, the hadith, or sayings and deeds of the Prophet Muhammad. Well, Mernissi took up the tools of hadith analysis and unmasked various misogynist hadith as spurious. She used classical Islamic methodology to expose the misogyny fraud. She hit the mark, as such hadith have been used virtually on a daily basis to belittle, intimidate, and control women, all women – from the grassroots to elite enclaves. A decade and a half later, Islam and Democracy pulled strands of her secular feminist and Islamic feminist discourse together, making different levels of argumentation in advancing the call for democracy. If she exposed the hurlers of misogynist hadith as bullies she unmasked the democracy obstructionists as fear-ridden. Democracy, Mernissi writes, ignites modern-day fears of individualism, fears of women, fears of the stranger (as the unknown) and the West. Mernissi, who along with ijtihad, critical independent investigation, and analysis of religious texts, also uses the tools of history and memory, reminds people that in the past there was lively intellectual debate and argumentation, spirited exchange among individuals, including women, and brings back to the fore the rationalist thought of the Mutazila in the 8th to 10th centuries. Fear was not the carte du jour. And regimes then were not more amused by independent democratic thinking then than they are now. Central to modern-day fears is fear of women – who are said to unleash fitna (violence and chaos) – a displacement operation if ever there was one. When women want democracy and announce it and are willing to fight for it, this strikes fear in the hearts of tyrants who discredit, and abuse the project and its protagonists, playing all the cards they can get their hands on, including the religious card."