Fearless Nadia
by Dorothee Wenner
Buy on AmazonThe Definitive Biography Of One Of Indian Cinema S Most Unusual Iconic Figures In 1935, A Young Blonde Girl Made Her First Appearance On The Indian Screen. Riding Like The Devil, Swinging On Chandeliers, Sporting A Mask And Tight-Fitting Shorts And Brandishing A Whip, She Drove Audiences Into Raptures. The Film Was Hunterwali, The Girl Fearless Nadia. For More Than A Decade After That She Remained One Of The Top Indian Film Stars As She Wielded Revolvers, Ran Along The Roofs Of Rushing Trains, Beat Up Men And Played With Lions. The Fearless Nadia Films, A Shimmering Mixture Of Action, Eroticism And Progressive Ideas, Were Unlike Anything Indian Audiences Had Seen So Far.…
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"This is a fascinating book. It doesn’t have any footnotes or references but it’s a scholarly book. Wenner explains how she became fascinated by Nadia – I believe she had some association with her family. There were all sorts of rumours about Nadia’s ancestry, such as whether her mother was Greek or Anglo-Indian. I believe a consensus emerged that she was Anglo-Indian. For a time Nadia lived in England, and she had a varied career before becoming the most improbable film star. She was enormously popular. There is also a half-hour film made by one of her nephews called Hunter Wallah. Nadia was significant and interesting as an actress but also in her mediating role as the wife of an influential Parsi film-maker. At the turn of the 20th century or even before, and most certainly through to the 1940s, the Parsis were one of the most important groups in Bombay, both financially and culturally. They were the first industrialists and bankers and they also became lawyers and film-makers. But they were always perceived to be cosmopolitan and they made cosmopolitan, social films. However Nadia was not cut out for social issues because she preferred adventure. They made a series of adventure films in which she played a starring role."
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