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Cover of The Dog of the South

The Dog of the South

by Charles Portis

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Ray Midge is befuddled when his wife takes off with his car, his money, and her ex-husband. When credit card statements start rolling in, he takes off to find them (in the ex-husband's clunker). His search takes him across the southern United States and into Mexico, where he meets a cast of eccentric characters. Through it all, Ray maintains a sense of humor without a sense of revenge--he justs wants what is rightfully his.

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The Atlantic's The Great American Novels · theatlantic.com
"Charles Portis has written three unbelievably funny novels... my personal favorite, The Dog of the South."
By the Book: Bill Hader · nytimes.com
"The Dog of the South, by Charles Portis (and I also love True Grit as read by Donna Tartt in the audiobook)."
By the Book: Bob Odenkirk · nytimes.com
"Dog of the South doesn’t really add up to much, plot-wise. The plot of the book is the protagonist following his wife who has run off with her first husband. He goes after them, mainly to get the car back. I don’t think he ever catches up with them, but it’s an amazingly funny chronicle of his adventures on the road. In one chapter he goes on for several pages about a deer head mounted above a bar along the way, and whether the deer is degraded by the cigarette dangling out of its mouth – he wants to stand on the bar and slap it out. So the protagonist is narrating the comic scenes that play out in his head as he drives down to Mexico. I don’t agree with that. Ron Rosenbaum likes making pronouncements, doesn’t he? I saw him taking credit for Steve Jobs recently. Comic novelists make profound statements in the context of their writing. Portis is a great stylist and he deals with interesting issues, but I wouldn’t call him any more profound than Jasper Fforde, who wrote The Eyre Affair books, or Max Barry who has written a number of books including Company . These are guys who do great work, but you don’t ever see them being lauded. The Ron Rosenbaum essay you’re quoting brought Portis out of obscurity. I agree he’s a great writer. But to say that he’s a great comic writer and profound is almost redundant. You kind of have to be profound to be a great comic writer."
Comic Writing · fivebooks.com