Age of Iron

"The author is JM Coetzee , the Nobel prize-winning author and, in my view, one of the top five living writers in the English language. Age of Iron is quite a short book – you could probably read it in a couple of hours. It’s set in mid-1980s South Africa, a time of tremendous political ferment. Mandela was imprisoned in 1964 and what followed for the next 10 years was a grave-like quiet of resignation by black people. In 1976 the first simmerings of rebellion occur and by the mid-1980s you had clashes daily in practically every township all around the country. You had the black political movement in full-on insurrectionary mode. It’s against that background that the novel is set. But Coetzee doesn’t go out and give you vivid descriptions, he’s never overtly political, he’s concerned much more with conveying a moral atmosphere. He tells the story through the first-person voice of an older woman, Mrs Curren, who’s dying of cancer. The disease gives her this sharper focus on life and she feels with extremeness and horror the age in which she’s living. She feels the awfulness of apartheid and she conveys a tremendous sense of shame and disgrace, and that’s what Coetzee talks about. There are lots of powerful lines and powerful observations, but he does so in that extremely pithy, lean Coetzee style. There’s no fat in Coetzee’s books whatsoever – you just have this sense of there being bone all the way through. There’s one particular line when she’s reflecting and she says: “The times call for heroism; being good is not enough.” She laments the fact that just being a good person at that time in South Africa is not enough. The attitude towards these young blacks who, off-stage, are giving up their lives and showing extraordinary courage, combines on the one hand a very Coetzee sense of life’s futility and complexity, but at the same time underlying that is a real admiration. It’s very, very layered. But what really shines through is a sense of disgust with the people who have invented this apartheid system, which he conveys as a sort of disease, a contagion. Indeed, the woman’s cancer is itself a metaphor for this disease of apartheid. It’s funny you should say that. My sense of him is of a person who makes no effort whatsoever to be liked. Most of us, in a cowardly and impish kind of way, do aspire to be liked. He doesn’t seem to give a damn about that. There’s just something sort of grim and joyless about him. I’ve known a number of people who’ve known him and he’s certainly not “Mr Personality”. I’ve been told that there are some interesting young black writers emerging who are telling the stories of their lives, the stories that were previously told by white people. Going back to Joseph Lelyved’s Move Your Shadow , the point about him was that he really got under the skin of black life in South Africa. What I’m hearing is that increasingly the stories are now being told by articulate, eloquent young black South Africans themselves. But I do wonder whether maybe the golden age of South African writing might be in abeyance at the moment. With writers such as Coetzee and maybe Nadine Gordimer and André Brink, the ones who really had an international impact, I wonder whether you needed to have that atmosphere of conflict in order to generate the powerful drama that makes for a successful novel globally. Now there is nothing like that powerful moral battle going on in South Africa any more. It’s no longer a parable for the struggle between good and evil. It doesn’t have that moral force. My suspicion would be that we are going to go through a fallow period before we return to the greats, the Coetzees and the Gordimers and so on."